Sunday, September 20, 2015

White Bunbusters (Gregory Dark, 1985)

Don't worry, I'm going to talk about Shanna McCullough's killer thighs and what is easily the best porn movie theme song of all-time, I just want to discuss the A-Busters' business model before I go any further. Oh, and, just in case you're wondering, Shanna McCullough's killer thighs and the best movie theme song of all-time both appear in Gregory Dark's White Bunbusters, the zany poop-chute compromising fuck-flick that bills itself as: "The World's First All Double-Penetration Shocker!" Okay, from where I was sitting, it would seem that the A-Busters provide a service. As to what exactly this service actually entails is still a bit of a mystery to me. Sure, they have an office. They have tools. They even advertise (their radio spot is heard during the film at one point). But what do they do? They will tell you that they help women overcome their reluctance to allow grown ass men to insert their erect penises into their brownish assholes. But all I saw was a couple of rapists who force their mostly female victims to endure a steady barrage of condom-free cock in every orifice imaginable. Granted, there is an instance where a porn star named Cha-Cha (Rachel Ryan) enlists the help of the A-Busters (she says something about wanting them to loosen her rectum before a big shoot), but more often than not, The A-Busters basically show up at your door (wielding an inordinate amount of crap pipe-related gear and equipment) and sexually assault you... in the ass.


Of course, the reason I think the A-Busters are glorified serial rapists, and not entrepreneurs, is because I'm not currently existing in 1985. You see, back in 1985, door-to-door anal rape startups were seen as no big deal. But in today's outrage obsessed nothing-verse, companies like, The A-Busters; Rectally Yours; Sphinctersoft (softening your sphincter since the mid-1970s); and All Up In Your Bum, Inc., fail within the first two months. And not because of poor business acumen on the part of the owners. But because door-to-door anal rape is frowned upon. And I, for one, I'm glad it's frowned upon, as there's nothing funny about door-to-door anal rape. On the other hand, that doesn't mean I can't enjoy a thoroughly repugnant, occasionally hilarious hour long ode to the door-to-door anal rapists of yore. And that's exactly what this is.


Besides, even the most humour-challenged, politically correct nincompoop will love the film's catchy theme song. Written by Johnny Jump-Up (a.k.a. Antonio Passolini) and Wavy Dave, the song, which is playful, funny, clever and frightfully stupid all at once, will bore its way into your brain, and remain there for the rest of your life. Seriously, it's the kind of song that can and will pop into your head at any given moment.


"I'm going to call the White Bunbusters. And no matter where you are, they're going to bust your fucking buns. White Bunbusters, they're really going to bust some buns. White Bunbusters, they will fuck anything but nuns. "They're the WHITE!!!! Bunbusters! WHITE!!!! Bunbusters! Call White Bunbusters!


The almost five minute long song plays over the opening credits, which boasts a montage of all the wacky degradation we'll be "enjoying" over the next hour or so. If you don't like what you see during the opening credits, you might as well tap out now, as the montage is a pretty accurate sampling of what's to come. However, you would be a fool to "tap out." Unless, of course, you have an aversion to killer thighs. You don't, right? Have an aversion to killer thighs? That would be sad if you did. Anyway, the prospect of being rewarded with the sight of Shanna McCullough's shapely thighs encased in red fishnet stockings is worth any mental anguish you might suffer at the hands of this double-penetration opus.


An opus that opens with John Doe (Tom Byron) plowing into his wife's vagina with his cock. Utilizing the missionary position, John's bunny slipper-wearing wife, Jane (Shanna McCullough), doesn't seem all that responsive to the humping her hubby is putting forth for their mutual benefit. Checking her nails in-between his lackluster thrusts, Jane looks like she would rather be somewhere else.


Noticing this, John decides to mix things up, and sheepishly tries to insert his cock into Jane's anus. This hangdog attempt to penetrate her chocolate starfish does not go over well, as Jane protests by telling John, flat out, that she doesn't want his dick in her ass. Realizing he's in a no win situation, John backs down, and says to Jane: "Will you at least suck my penis." After thinking it over for two, maybe three seconds, Jane agrees and takes John's dingle-doodle  tonsil deep until it spews tiny droplets of cum all over her face and hair.


At work the next day, John and Bob (Greg Rome), his friend/co-worker, are sitting around the offices (their desks, by the way, are made out cardboard boxes) of ACME Proctological listening to Dark Brothers radio (the official radio station of the Dark Brothers). When the topic of anal sex comes up, Bob tells John all about the A-Busters. Actually, the ad for the A-Busters that airs on Dark Brothers radio does most of the legwork when it came to explaining the A-Buster's modus operandi. Either way, it's obvious that John is intrigued.


We get more information about their unique methods in the next scene, when we're whisked into the offices of the A-Busters. From what I could gather, the A-Busters seem to be two guys, Tex (Marc Wallice) and Doc (Steve Powers), who share an office (like ACME Proctological, their desks are made out of cardboard boxes). And every once and awhile, their phone would ring. This usually prompts them to yell "Ayyyyyyy-Busters!" When they do this, you can almost guarantee that some poor woman is about to get her buns busted.


Since it wouldn't be a Gregory Dark movie without Jack Baker, the animated actor appears briefly as a man whose wife (Erica Boyer) won't let him fuck her in the ass. When the A-Busters show up, wearing their trademark orange-tinted goggles, work boots, yellow suspenders and orange baseball hats, they grab Erica Boyer and begin to violate her. Eventually, the A-Buster's cocks wind up in Erica Boyer's vagina and butthole simultaneously. I thought it was odd that the A-Busters felt the need to penetrate Erica Boyer vaginally as well. I mean, they're the "A"-Busters," not the "V"-Busters." Whatever, they ejaculate seminal fluid all over Erica Boyer and Jack Baker pays them. Wait, did Jack Baker just pay two guys dressed like gay disco plumbers to rape his wife? Again, I'm not quite sure what kind service the A-Busters actually provide.


After the A-Busters are finished busting Erica Boyer's buns, you'll notice that Tex and Doc spray their flaccid bun busters with some kind of liquid. I'm guessing it's disinfectant. Sort of like, Lysol Antibacterial Kitchen Cleaner. Except instead of spraying it on counter tops, they spray it on their cocks.


Since Jane still isn't providing John with the anal delights he desires, John decides to stick his cock in the ass that belongs to Bobette (Keli Richards), Bob's wife. However, as Bob clearly states, this is a one time deal. The look on John's face when Bob says, "I can't let you come over every night and fuck my wife in the ass," spoke volumes, as I bet he genuinely thought that this could be a regular thing.


When a budding secretary (Jennifer Noxt) shows up at ACME Proctological for a job interview, John and Bob pepper her with questions: "How's your typing? Do you take shorthand? Dictation? Do you take it up the ass?" Anyone care to guess what happens next? That's right, they fuck her in the ass. Well, one of them fucks her in the ass, the other one makes his home in her vagina.


The great thing about this scene, beside the fact that both cocks move during the double-penetration phase (in scenes like these, one cock typically does the bulk of the thrusting, while the other one just sort of sits there languishing in a vaginal/colon stew), is that Jennifer Noxt's Velveeta is the only woman who is seen standing in this film. Come to think of it, they actually showing her walking at one point. This blew my mind. Seriously. Standing and walking? Madness.
  


After the A-Busters are done busting the buns of a new wave punk porn star named Cha-Cha (Rachel Ryan), she has sex with some guy (Dick Rambone) she had hidden under her bed (talk about filler).


Will John call the A-Busters, and get his rectal reward... Hold on. Let's say he does call them, and they come over and penetrate Jane's a-hole with their cocks. What happens next? Call me crazy, but what I think the film is trying to say is this: After the A-Busters have "serviced" your wife, she will allow you to penetrate her anus with your penis. Personally, if my husband did this to me, I would call the police. That being said, this is the type of film that shows a woman standing and walking for a split-second, while the rest of the time they're usually lying spread eagle or on all fours with their asses in the air. In other words, good luck getting the cops to be on your side.
   


  
On the bright side, all the women, except for Erica Boyer, wear lace fingerless gloves, stockings, high heel shoes during their sex scenes. And I did laugh when Shanna McCullough says to John: "My Mama told me, Jane, don't stick things in your ass."  [If you want to be cool like me and watch White Bunbusters, head on down to Eyesore Cinema and they will hook you up. Tell 'em Yum-Yum sent ya.]


4 comments:

  1. I reference this porn almost every other review don't forget to call them! Also mention my blog sometime since I always mention yours JEEEZZZ

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  2. Could a black guy join the white bun busters if he agreed to only bust white buns? Would the bun busters outright refuse to bust black buns? In other words, are they white-bun busters, or white bun-busters (or both?) At any rate, I never thought door-to-door anal rape could be funny until reading this review and hearing the embedded theme song. Now I find bunbusting gutbusting!

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    Replies
    1. Are they white-bun busters or are they white bun-busters? Damn. That's a tough one.

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