Showing posts with label David Bradley. Show all posts
Showing posts with label David Bradley. Show all posts

Sunday, August 9, 2015

Cyborg Cop II (Sam Firstenberg, 1994)

It looks like someone is having cyborg-related problems... again. Oh, Jack Ryan. When will your friends, relatives and enemies stop being turned into mindless killing machines? In Cyborg Cop II (a.k.a. Cyborg Soldier: Cyborg Cop 2), Jack Ryan finds himself... Whoa! Hold up. Is that what I think it is? It is!!! Are you sitting down? 'Cause I'm about to blow your freakin' mind. Guess who wears a fanny pack from start to finish in this film? (Um, David Bradley.) Wait, how did you know that? (Everyone knows that David Bradley wears a fanny pack in Cyborg Cop II.) Well, I didn't. And that's causing a bit of a problem. You see, if I had known that David Bradley wore a fanny pack in Cyborg Cop II, I wouldn't have gone so overboard with the fanny pack talk in my not yet award-winning review of Cyborg Cop. To make matters even more complicated, David Bradley has a scene in this film with an actress who is also wearing a fanny pack. That's right, this film, directed, like the first one, by Sam Firstenberg (Ninja III... Dominion!) is literally oozing fanny packs. When I saw this, I started to panic.


Of course, I could have done some research beforehand, and quickly found out that Cyborg Cop II was rife with fanny packs. However, when it comes to watching movies, especially cyborg movies, I like to go in fresh. Nevertheless, the sight of two actors onscreen at the same time wearing black fanny packs sent me over the edge.


Don't believe I'm over the edge, check this shit out: The more I observed Jack Ryan (David Bradley), the more I started to realize that his power comes from his fanny pack. Sure, that might sound like the ravings of someone who has clearly lost their grip on reality. But how else can you explain the fact Jack Ryan never gets injured? Thrown through plate glass windows, punched in the face (by cyborgs, whose punching prowess is second to none) and hit with large metal pipes, Jack Ryan seems impervious to harm.


Okay, so what if Jack Ryan's fanny pack contains an ancient talisman of, oh, let's say, Latvian origin, that prevents him from being hurt. (Or, he could be a cyborg himself, and his fanny pack is where he keeps his back-up battery.) Jack Ryan, a cyborg? Poppycock. No, an ancient talisman of Latvian origin makes more sense. Think about it.


If you're currently having trouble in the thinking department, let me help you out: When Jack Ryan was a little boy growing up on the mean streets of Chillicothe, Ohio, his Latvian grandfather, Artūrs Irbe Rieņš (their name was officially anglicized in 1906, but Artūrs refused to be called Mr. Ryan), gave him an ancient talisman of Latvian origin on his tenth birthday. The only problem being, ancient talismans of Latvian origin are too unwieldy to wear around one's neck, and they're definitely much too irregularly-shaped to be crammed up one's anus (trust me, I know). In order to rectify the situation, Artūrs suggested that Jack store it in a fanny pack, which he has done ever since.


In other words, I don't want to hear any more of this Jack Ryan is a cyborg nonsense.


Though, I have to say, I'm having a little trouble coming up with an equally levelheaded reason as to why Gloria Alvarez (Kimberleigh Stark), Jack's go-to babysitter, was wearing a fanny pack.


Actually, after giving it a lot of thought, I think I have an explanation for that as well. Since Gloria will be looking after his adopted son while he's out fighting cyborgs, Jack gave her a less powerful ancient talisman of Latvian origin that used to belong to his Aunt Lūcija (she drowned in the Scioto River - witnesses say that her fanny pack sat on the shore mocking her as she struggled to keep her head above water). Anyway, like his grandfather's talisman, it's way too cumbersome to be worn around the neck or to be inserted into your average anus. Hence the reason Gloria was wearing a fanny pack when she came over to babysit. Any questions? I didn't think so.


It takes roughly nine minutes for Jack Rieņš, I mean, Jack Ryan, and his fanny pack to appear onscreen. Up until this point, we've had to endure a Sam Firstenberg-style, over the top, body count heavy gun battle.


Taking place in a warehouse used to manufacture cocaine (one where all the workers work topless), the shoot out pits Starkraven (Morgan Hunter), a ruthless criminal (think Kurtwood Smith in RoboCop crossed with Yul Brynner), and his pick-up truck filled with henchmen, against Fats (Robin Smith), a drug kingpin who commands an army of hapless thugs. The reason I call them "hapless" is because they can't seem to stop four or five guys from destroying Fats' operation.


When the DEA show up, Starkraven and his men take hostages and barricade themselves inside. Since Captain Salerno (Dale Cutts) is at a loss what to do, Jack Ryan (David Bradley), and his new partner, Mike Alvarez (Hector Rabotabi), who show up late on their motorcycles, decide to do things their way. Of course, this way ends up getting Mike killed.


When word gets out that Starkraven has escaped from prison, Jack Ryan immediately springs into action. Leaving his adopted son with Gloria Alvarez, who you might remember as the leggy party girl in the skimpy mini-dress from the first Cyborg Cop, Jack Ryan heads out to find Starkraven and bring him to justice.


I wonder if Jack would have acted differently if he had known the truth. Didn't you hear, Starkraven didn't actually escape from prison. No, his body was "borrowed" by the ATG (The Anti Terrorist Group) and turned into the ultimate tactical warrior. Knowing Jack, he probably would have done the exact same thing. Sure, Starkraven (who is re-born as "Spartacus") is now a super-cyborg, but don't forget, Jack has an ancient talisman of Latvian origin in his fanny pack. Meaning, super-cyborg, schmuper-schmyborg. Bring it on.


To the surprise of virtually no-one, Spartacus goes rogue. After killing all the ATG scientists, Spartacus begins to assemble a cyborg army. Well, that's actually not true (not the cyborg army part), some of the ATG scientists seemed genuinely surprised when Spartacus goes rogue, especially the leggy lady scientist who gets knifed in the back.


Oh, and if you're wondering how I knew the leggy lady scientist was in fact leggy, that's simple.


Take a look at the skirt she's wearing while sitting at the bar/lounge next to the cyborg lab. Pretty modest, right?


Okay, now look at it. Where did the material go? It would seem that her skirt went being modest to super-short in the blink of an eye. I'm not complaining. I just thought it was weird that her skirt length changed the moment she entered the cyborg lab. Either way: Best continuity error ever.


After some perfunctory sleuthing scenes (cool, floppy disks) and an action sequence where Spartacus' cyborg army takeover a nuclear power plant, we finally meet Liz McDowell (Jill Pierce), the deputy director of operations for ATG. I say, "finally," because this film has been a major sausage festival since the leggy lady scientist scene. At any rate, realizing that Jack Ryan is the only one competent enough to stop Spartacus, Liz decides to team up with him.


Unfortunately, there's no time for romance. There is, however, time for erections. You probably didn't notice, but Jack Ryan is sporting a massive erection when he meets Liz McDowell for the very first time. Wearing a short gray skirt with a matching blazer, the simple act of flashing a little leg causes a torrent blood to rush to Jack Ryan's penis. You might be thinking: How embarrassing. But fear not, as Jack's fanny pack has got his erection under control. The great thing about fanny packs is that they're not only perfect for carrying around unwieldy ancient talismans of Latvian origin, they also allow the wearer to sport as many erections as they want. The fanny pack is most likely thinking to themselves: Get hard, my Latvian-American friend. I've got you covered.


(So, is this movie good or what?) How the fuck should I know. I can tell you this, I won't be writing about Cyborg Cop 3. No David Bradley, no fanny pack, no review. So, fuck you, Cyborg Cop 3. Your ass smells like shit.


Sunday, August 2, 2015

Cyborg Cop (Sam Firstenberg, 1993)

In a film replete with shoot-outs, leggy hostages, upskirts, leggy reporters, upshorts, leggy floozies, finger knives, uptowels and not-so leggy lascivious pre-coital fruit consumption, I can't believe Cyborg Cop had me looking up fanny packs before beginning my review. Whether you know them as waist wallets or bum bags, the fanny pack is the key to unlocking this film's many secrets. Sure, you can unlock its secrets by focusing on the other stuff I mentioned, but take away the fanny pack, and you'll be looking at yet another cyborg film chock-full of the usual nonsense. Now, I don't mean to imply that leggy hostages, upskirts, leggy reporters, upshorts, leggy floozies, uptowels and not-so leggy lascivious pre-coital fruit consumption are in anyway nonsense. I'm just saying: Thank you, David Bradley. Thank you for wearing a fanny pack. Seriously, I don't think I would have made it through the film without it. Of course, I realize that a lot of you are probably thinking to yourself: What's so amazing about this fanny pack? It's not that there's anything all that special about this particular fanny back (it's black and fits snugly around the waist). No, the reason I'm currently losing my shit over a fanny pack is the length of time David Bradley wears it in this movie.


While I would love to tell you that David Bradley wears a fanny pack from beginning to end during Cyborg Cop, directed by Sam Firstenberg (Ninja III... Dominion!), I can't, because I think he takes it off while having hot, naked, back arching heterosexual intercourse with a leggy lady reporter.


How cool would it have been had they shown that David Bradley was still wearing his trusty fanny pack as he plowed gingerly into the leggy lady reporter's not even close to being pugnacious lady vagina?


Judging by the excessive amount of head nodding I'm seeing out there, it would seem that most of you agree... that it would have been cool. Unfortunately, he doesn't wear it during sex. Nonetheless, he does wear it a lot in this movie.


What's that? You're saying that I've already established that David Bradley wears a fanny pack for an inordinate amount of time in this movie? Well, I'm establishing it again. In fact, anyone who fails to repeatedly mention the fanny pack clinic that David Bradley puts on in this movie for nearly ninety straight minutes is straight-up mentally-ill.


And not only are they mentally-ill, they must be blind as well. I mean, you can practically see his fanny pack from space.


You know what else you can see from space? The film's contrived I hate you/I love you relationship. Actually, when we're first introduced to Jack Ryan (David Bradley), a hard-boiled DEA agent who plays by his own rules, and Kate (Alonna Shaw), an ambitious lady reporter with legs for days, I had no idea they would meet again. However, it's obvious to anyone with a functioning brain and/or genitals that Jack and Kate will be straddling one another like a couple of shaved squirrels in no time.


However, before any kind of hairless rodent humping can commence, Jack Ryan's brother, Phillip (Todd Jensen), who is also a DEA agent, needs to be turned into a cyborg. And for that to happen, Phillip has to be sent on a doomed mission to bring down Kessel (John Rhys-Davies), a drug kingpin/cyborg expert who lives on a tropical island in the Caribbean.


Oh, and if you're wondering why Jack wasn't with his brother on this doomed mission. What's that? You weren't wondering that. Either way, Jack wasn't there because he was kicked off the force for gunning down the son of a prominent  Denver newspaper publisher. You see, his son (who, I guess, forgot to take his meds that day) had taken a leggy party girl (Kimberleigh Stark) hostage. Tracking him to a rundown warehouse, Jack and Phillip have him cornered. Instead of waiting for back-up, Jack decides to take care of it himself... Cobra-style. Personally, I thought it was a clean kill. Nonetheless, Jack is dubbed a "rogue cop" by the press and the self-proclaimed "double-trouble psycho cops" are all but finished as a duo.


As Jack is comforting the leggy party girl after the shoot-out, the press come rushing in. Lead by Kate, who is wearing a bulky naval-style blue blazer with a toilet seat collar, the press inundate Jack and the leggy party girl with pointed questions and flashbulb photography.


When I saw Kate burst onto the scene like that, I was like, Ooooh, I like this chick's style. Brash and blonde, Kate seems like the kind of gal who knows what she wants, and she clearly knows how to get it. After the warehouse scene is was over, I figured that was the last we'll ever see of Kate, the brash, blonde, leggy lady reporter.


In what has to be the biggest coincidence in movie history, Jack bumps into Kate while attempting to rent a car on the Caribbean island of St. Keith. The former is there, like I said earlier, to find out what happened to his brother, and the latter is there to do a story or some bullshit. While this meeting doesn't go smoothly (they mainly shout at each for the duration), you can totally tell that they have the hots for one another.


It's during their second chance meeting that they end up stuck with each other. Though, I have to say, the evolution of their courtship could have used a little more build-up. I mean, they go from constantly bickering with one another to eating fruit together rather quickly.


Anyway, while Kate is questioning the local authorities, Jack heads down to The Jive Bar to get some information on the whereabouts of his brother. While there, Jack fends off a couple of leggy floozies (leggy floozies love men in fanny packs) and beats up some of Kessel's henchmen. I don't know what I liked better, Jack's unique, kick his adversaries in the face fighting style or his leggy floozy fending off skills.


While the chemistry between David Bradley, his fanny pack and Alonna Shaw is undeniable, the cyborg action is a tad lacking. Other than a brief scene in the island morgue and a quick demo Kessel gives for some potential investors, the film is pretty light when it comes to cyborgs. On the bright side, we do get a lot of scenes that feature David Bradley gunning down henchmen. Sure, his shotgun would some times sound like a machine gun and his shotgun would some times sound like a machine gun, but I can't stay mad at a film that boasts a grown man blowing away henchmen and fending off leggy floozies while wearing a fanny pack.