Showing posts with label Krista Errickson. Show all posts
Showing posts with label Krista Errickson. Show all posts

Friday, March 20, 2009

Little Darlings (Ronald F. Maxwell, 1980)

New friendships are born, and early on a random guy gets kicked squarely in the testicles, which out of these two things do you think is gonna be the main focus of Little Darlings? If you think about it, they both seem applicable, given the title, but the realm of friendship is where this tender tale of adolescent awakening spends most of its time. I don't know about you, but I'm kinda glad the film's narrative decided to follow the girls to summer camp, as the prospect of watching the tragic aftermath of a vicious violation of ones right not to have his or her balls stomped on isn't very appealing. Anyway, a seemingly straightforward endeavor that examines the budding relationship between two girls from different socioeconomic backgrounds, the film takes the horny teenagers at camp story and gives it a girly edge. Instead of a bunch of boys trying to get laid in a forested setting, this particular woodsy lark is about a group of girls who make a bet to see which virgin will have sexual intercourse with a male human first before the summer is over. The competitors being the disaffected Angel (Kristy McNichol) and the equally disaffected (but for completely different reasons) Ferris (an elegant Tatum O'Neal). The original group who made the unsavoury wager split up into two camps: the Angel camp lead by Dana (Alexa Kenin), who encourage Angel as she makes a play for Randy (a dopey, yet oddly suave Matt Dillon), and the Ferris camp, lead by the cattish Cinder (the lovely Krista Errickson), who help the blue-blooded teen attain the penile devotion of the much older Gary (Armand Assante), a camp counselor with healthy eyebrows.

This separation of the girls gave the film more room to breath (the eight of them in the same room together was a bit much). It also gave the film's two stars a chance to shine on their own, as I found their initial hatred of one another to be awkward and forced. While Kristy's scenes had a weighty tone about them (lot's of meaningful looks and hushed longing), Tatum's were a tad creepy, but kinda playful at the same time. (The reason Armand looked much older than Tatum was because he was...much older.)

Nonetheless, Tatum's puckered lips waiting to be kissed was giggle worthy and her giddy nocturnal jaunt across the field as she left Gary's cabin was on the cusp of being enthralling.

Displaying a quiet intensity, Kristy McNichol is a sullen delight as Angel, a tough chick who smokes, wears pink tank tops, and glowers like a deranged loner. Sporting a hairstyle that defined a generation, the subtly alluring actress maintains a cool veneer as the contentious teen. It's true that both Kristy and Tatum aggressively pursue the men they want to be deflowered by, but the manner in which Kristy went about acquiring her fella was downright sexy. Her persistence when it came to bagging Matt Dillon's Randy was quite the role reversal. I mean, Angel trying to get 'em drunk, the way she picked him up in that canoe, and her flirtatious demeanor when they first met all seemed like the tactics of some unlubricated Lothario, not a feisty virgin.

At any rate, the boathouse scenes are where Miss McNichol's performance shows its mettle, giving Little Darlings the prestige it so rightly deserves in the annals of teenage camp movies.

Oh, and it should be noted that Sunshine is in the Ferris camp as well. Played by an adorable Cynthia Nixon, this particular girl had a distinct hippie vibe about her, as she openly refers to the karma of others and handed out vitamins to people she had just met.


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Monday, August 25, 2008

Jekyll and Hyde... Together Again (Jerry Belson, 1982)

One of the giddiest, most hyperactive films I've seen in quite some time, Jekyll and Hyde... Together Again, the scatter-shot comedy loosely based on a novel by some asshole named Robert Louis Stevenson, caused the left side of my thoracic cavity to ache as I foolishly tried to prevent myself from laughing in an exuberant manner. (What can I say? I have super-thin walls and have always respected the nocturnal slumbering habits of my neighbours.) Seriously, though, the film's rapid fire jokes (every frame is guaranteed to be filled with something stupid) and overall politically incorrectness (two sentient African-American lawn jockeys are indifferent to a Caucasian man's ledge-based peril) had me rocking back-and-forth in the foetal position. Trying my best to wipe the self-satisfied grin off my face, the film force fed me the funny.  The story, as one would expect, revolves around dedicated surgeon Dr. Jekyll and his desire to further understand humanities more animalistic side. However, since it's 1982, and no one wants to see a movie about top hat and cloak-wearing dandy lurching down the foggy streets of London, this film's integrity plagued doctor doesn't just transform into some boring dickweed with a serious case of the grumpies. Uh-uh, his alter ego is an ultra-horny, cocaine-addicted (magic pimp powder), racially insensitive car thief with an extreme penchant for horseradish, chicken sushi, and sheer pantyhose. The electrified hairdo, the gold tooth with the word "love" engraved on it, and an unfaltering erection also add to Hyde's unique allure. The strange dichotomy between the two sides of Jekyll and Hyde's personality is also reflected in the ladies the kooky twosome choose to fondle and eat dinner with on a regular basis.

On the one lube-covered hand, Dr. Jekyll's fiancé Mary (a sexy Bess Armstrong) has a relatively bland temperament and seems to have a bit of an elitist air about her (equestrian will do that). While, on the other, more-or-less lube-free hand, Mr. Hyde's special lady friend, Ivy (an even sexier Krista Errickson) fronts a new wave band (The Shitty Rainbows), is only mildly averse to fornicating in the produce isle, and enjoys playing Pac-Man.

Of course, watching the jewelry adorned Mr. Hyde behave spastic in public and stalk Ivy in the vicinity of boxes of Apple Jacks and Fruit Loops is way more entertaining than watching Jekyll help those in distress.

Nevertheless, the sight of the hangover-ridden Dr. J jumping alongside Mary's horse did bring a figurative tear to my eye. Which is something I didn't expect in a movie that features a bra and pantie sporting Tim Thomerson and close-up shots that emphasize the soothing depth of Cassandra Peterson's cleavage.

Giving one of the most manic performances in comedy history, Mark Blankfield (Angel III: The Final Chapter) puts the "maimed cock" in cockamamie. The success of this idiotic endeavour rests solely on the bony shoulders of the curly haired comedian, and never have I seen someone succeed so righteously at bringing the zany to such a satisfying simmer.

A teaching tool for those interested in learning how to act like a complete and utter jackass on-screen, Mark's stellar work as the pimp-tastic miscreant, in my sheltered, Shetland pony humping mind, is a work of buffoonish art. Each convulsion, pelvic thrust, and irresponsible line uttered seemed so meticulously crafted, that it was like watching a master chef make a mediocre quiche taste like professional intercourse. Yeah, he's that good.

Hands down, one of the funniest pieces of filmed entertainment I have seen all week.


video uploaded by mrewel12
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