Party Doll A Go-Go!: Part 2 (Rinse Dream, 1991)

What must have the stained raincoat crowd thought when they inadvertently stepped in front of this chatty smorgasbord in 1991. It's not the clearest vision I've ever had, but I can almost make out their broken little faces crumbling under the sheer of weight of the weirdness transpiring on-screen. No fooling around, the operational integrity of their masturbatory instincts must have been severely compromised by this salacious enterprise. In that, the rapid fire manner in which it belittles the audience's erotic comfort zone is just as prominent as it was in the first chapter. Besides, given the fact that the radioactive lingerie, freeze-dried ornamental grasses, toxic space flowers, rustic fence materials, dangling clumps of rope, and the chain-adorned mattresses from the first film were probably still lying around the no doubt gamy-as-fuck set, and since the cast's genitals were already percolating with a lustful hunger, you'd be totally insane not to make Party Doll A Go-Go! Part 2. Taking what worked from the first chapter, jiggling it ever so slightly and not expanding on it one bit, all Stephen "Rinse Dream" Sayadian (the genius who brought us Dr. Caligari, Nightdreams, and Café Flesh) does is switch up the penetration pairings, change the licking order, move around the excellent music of Double Vision, and, boom, just like that, you've got yourself an equally unwell sequel.

If the first telecast celebrated irregular insertion, then part two downright glorifies it. Behold, as a wide array of avant-garde items are willfully jammed into crevices big and small. This cranny packing is made possible thanks to the generous assistance of the non-unionized members of a demented crew of sentient female persons: Jezabel, the mysterious one; Lannie, the lascivious one; Roxi, the kinky one; Vivian, the seductive one; Tantrum, the hippest one; Vera, the lubricious one; and Echo, the troubled one. All their rambunctious girl biscuits are hungry for firm boy jerky. Well, some are itching for the taste of a special kind of secret secretion. Which just goes to show that one should never assume what one might desire to temporarily have placed/inserted inside a body cavity.

You know you're watching a Rinse Dream project the moment Jezabel (Jeanna Fine) says, "I know you're watching me," just as Randy Spears is about to orally ravage her labia and surrounding girl-area. This paranoid statement is a reoccurring slice of dialogue that permeates most of Mr. Sayadian's work. A sentence that is an obvious a dig at the voyeuristic temperament of pornography, the judgmental way Miss Fine stares directly at the camera, spouting non-sequiturs like a banshee, is meant to be a direct challenge to the audience.

The second coupling features Lannie (Patricia Kennedy) and Roxi (Nikki Wilde), and is all about utilizing your mouth as a weapon for sex. The expression "girl homo" (a Nikki Wilde holdover from part one) is used with a freewheeling wantonness in this segment. In fact, Nikki takes a second to utter the two words just as her entire face is about to become muffled by the crumpled flesh of Patricia's damp expanse; an "artificial man-thing" is implemented when Nikki's face grows tired of being muffled.

A securely built Vivian (Raven) is the next party doll to get her tender places tinkered with. And I say, "tinkered," because this probing sequence is all about using sexual metaphors of an automotive nature. Sporting slicked back hair this time around, Tom Byron goes through the pounding motions, laying into Raven's finely tuned organic structure, as Tantrum and Echo dance wildly in their day-glo underwear, periodically shouting out the names of car models from the 1960s.

Exhausted from all that boogieing, Tantrum (Madison) relaxes against an erratic hodgepodge made out of metal and lace, and proceeds to allow Vera (Bionca) to vigorously lick the appetizing viscosity out of her consecrated cookie juice. The spunky Madison, still the sexiest party doll on call, has the off-kilter vibe down perfectly. I mean, not once does she resort to spouting the hackneyed, "fuck me," "pound my pussy," or the classic, "don't you dare draw energy from my squirting mess, you glorified hat rack!" Even when Bionca is attempting to cram one of her pointer-than-usual nipples into her gaping sex maw, the angelic sex kitten keeps it together like a bitter butler on his last day of closeted homosexual servitude.

The closest thing Party Doll A Go-Go! Part 2 has to a conventional plot is the situation concerning Echo (Tianna) and her inability to stop "The Wiggle." This strange, yet immensely groovy affliction was acquired by the short-haired blonde with the wonderfully circular backside during the encounter with Tantrum and Vera. The other party dolls try to snap her out of it by suggesting that she ingest the contents lying in wait somewhere inside Peter North's purposeful ball sack. I'm no scientist (obviously), but the milky man-medicine seemed to do the trick. Sure, none of it is actually ingested, but only a major tool would deny the healing power of Mr. North's Halifax-reared cock.

At any rate, I'm surprised they didn't make a PDAGG part three. They're fun movies with endless possibilities for crotch-based mayhem. Hello, you've reached Party Doll A Go-Go! Uh-huh.

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